Australian Painter, 1855-1917 By the early 1880s, his work began to attract considerable attention and won a number of prizes from the National Gallery, including a 30-pound first prize in 1883 in their annual student exhibition, and by the mid-1880s began to concentrate more on the works of the Australian bush which made him most famous. In 1883, he received first prize in the first annual Gallery students' exhibition, for best studies in colour and drawing. In 1888, he became instructor and master of the School of Design at the National Gallery. In this position he taught a number of students who themselves became prominent Australian artists, including Charles Conder and Arthur Streeton. He continued to paint through the first two decades of the 20th century, though by the beginning of World War I his health began to fail. He travelled to England in 1907 and visited Tasmania, but aside from these relatively short excursions lived most of his life in Melbourne. McCubbin married Annie Moriarty in March, 1889. They had seven children, of whom their son Louis also became an artist. In 1901 McCubbin and his family moved to Mount Macedon, where he was inspired by the surrounding bush and has experimented with the light and its effects on colour in nature. In 1912,  Related Paintings of Frederick Mccubbin :. | Kitchen at the old King Street Bakery | Last | Last | Self-portrait | A ti-tree glade |
Related Artists:
Peeters, Bonaventure II
Flemish, 1648-1702
Pieter Balten
Pieter Balten (born ca. 1525 in Antwerp - died 1584 in Antwerp) was a Flemish Renaissance painter. According to Karel van Mander he became a member of the Guild of St. Luke in 1559 and was a follower of Pieter Bruegel the Elder. He was a good poet and rederijker, who collaborated from time to time with Cornelis Ketel.
Elisabetta Sirani
(8 January 1638 -25 August 1665) was an Italian Baroque painter whose father was the painter Giovanni Andrea Sirani of the School of Bologna She was born in Bologna. By age 17 she was a full-fledged engraver and painter and had completed over ninety works. By the time she died at the young age of 27, she had added at least eighty more to her repertoire. Besides being an independent painter by the age of 19, Elisabetta Sirani also ran her family's workshop. When her father became incapacitated by gout, she was burdened with having to support her parents, her siblings and herself, entirely through her art. The stress created by such heavy responsibilities may have been the cause of her early death. It is estimated that in all she produced some 200 paintings, drawings, and etchings. She painted themes such as the Virgin and Child, self portraits, and many more. Elisabetta Sirani used dramatic light and great movement in her work, which classified it in the Baroque style. She painted many of her larger scale and heavy-themed works publicly and in front of large (and adoring) crowds of on-lookers. Sirani's portraits, mythological subjects, and especially her images of the Holy Family and the Virgin and Child, gained international fame.